Forskjell mellom versjoner av «Jaw harp technique»
Linje 2: | Linje 2: | ||
It is possible to produce two tones at the same time by altering the mouth cavity. The technique is called jaw harp technique because it is based on playing one constant pitch and creating audible overtones due to changes in the oral cavity. By changing the primary pitch one can produce the overtone spectre, and thus generate a series of tones. | It is possible to produce two tones at the same time by altering the mouth cavity. The technique is called jaw harp technique because it is based on playing one constant pitch and creating audible overtones due to changes in the oral cavity. By changing the primary pitch one can produce the overtone spectre, and thus generate a series of tones. | ||
− | *[[ | + | *[[Examples Jaw Harp, Contra octave]] |
− | *[[ | + | *[[Examples Jaw Harp, Great octave]] |
− | * | + | *[[Examples Jaw Harp, Small octave)]] |
Revisjonen fra 7. sep. 2014 kl. 21:09
Jaw harp technique It is possible to produce two tones at the same time by altering the mouth cavity. The technique is called jaw harp technique because it is based on playing one constant pitch and creating audible overtones due to changes in the oral cavity. By changing the primary pitch one can produce the overtone spectre, and thus generate a series of tones.